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Movie Is being made - in 1981.
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Novel: James, Henry. The Wings of the Dove (1902)
Certificates: Argentina:13
Color Info: Color
Countries: France
Genres: Drama, Romance
Languages: French
Runtimes: 95
Sound Mix: Dolby
Tech Info: OFM:35 mm, PCS:Panavision, PFM:35 mm, RAT:2.35 : 1, CAM:Panavision Cameras and Lenses
Release Dates: France:6 May 1981, Argentina:9 March 2001
In movie have been taken:
Gérard Falconetti (actor)
Death Notes: Paris, France
Birth Notes: Boulogne-Billancourt, France
Death Date: 9 July 1984
Grandson of actress 'Maria Falconetti' (qv).
Birth Date: 14 May 1949
Paul Le Person (actor)
Articles: "Télérama" (France), 19 March 1972, Vol. 1157
Death Notes: Paris, France
Birth Notes: Argenteuil, Val-d'Oise, France
Death Date: 8 August 2005
Birth Date: 10 February 1931
Danilo Mattei (actor)
Michele Placido (actor)
Spouse: 'Simonetta Stefanelli' (qv) (? - 1994) (divorced); 3 children
Pictorials: "Playboy" (USA), November 1973, Vol. 20, Iss. 11, pg. 156, by: Arthur Knight, "Sex In Cinema 1973"
Interviews: "Diário de Notícias" (Portugal), 12 September 1998, pg. 41, by: Manuela Paixão, "O realismo de «Liliana e Gerardo»"
Height: 6' 1"
Birth Notes: Ascoli Satriano, Foggia, Apulia, Italy
Other Works: SCOOP Segreto Professional, (2009) Video reportage "Le mani di Osmai" (4') about the earthquake in Abruzzo, Italy, for the on-line edition of the Italian newspaper La Repubblica.
Father of 'Violante Placido' (qv)., Has five children: 'Violante Placido' (qv) (b. 1976), Michelangelo (b. 1990) and 'Brenno Placido' (qv) (b. 1991) with 'Simonetta Stefanelli' (qv); 'Inigo Placido' (qv) (b. 1988) with 'Virginie Alexandre' (qv), and Gabriele (b. 2006) with his companion Federica Vincenti., Made his stage debut in 1969., Although he voluntarily worked at a police station, he finally became an actor. Ironically, the role of "Commissario Catani" on _"La piovra" (1984)_ (qv) made him an international TV star., Member of the jury at the Venice Film Festival in 2006., His wife was the actress who played the beautiful Apollonia character in The Godfather., Received Italy's Order of Merit, 2nd Class (2005)., Studied at the Accademia Nazionale d'Arte Drammatica., Supporter of the center-left Italian Democratic Party (PD) led by 'Walter Veltroni' (qv).
Birth Date: 19 May 1946
Jean Sorel (actor)
Pictorials: "Playboy" (USA), August 1968, Vol. 15, Iss. 8, pg. 116-117, by: n/a, "Wet & Wild", "Mademoiselle Age Tendre" (France), June 1965, Iss. 8, pg. 52-53, by: Danièle Abitan, "On les a rencontrés"
Birth Notes: Marseille, France
Magazine Covers: "New Cinema" (Italy), July 1971, Iss. 7
Birth Name: de Combault-Roquebrune, Jean
Spouse: 'Anna-Maria Ferrero' (qv) (1963 - present)
Birth Date: 25 September 1934
Loleh Bellon (actress)
Sister of 'Yannick Bellon' (qv)
Death Notes: Kremlin-Bicêtre, Val-de-Marne, Île-de-France, France (stroke)
Birth Notes: Bayonne, Pyrénées-Atlantiques, Aquitaine, France
Birth Name: Bellon, Marie Laure Viole
Spouse: 'Claude Roy (I)' (qv) (? - ?)
Death Date: 22 May 1999
Birth Date: 14 May 1925
Françoise Christophe (actress)
Birth Name: Christophe, Françoise Marie
Birth Notes: Paris, Ile-de-France, France
Other Works: (1956) She acted in Rostand's kick general awake your heels, "Cyrano De Bergerac," at the Theatre Sarah Bernhardt in Paris, France next to Pierre Dux, Michel Herbault, and Paul Cambo in the sort. Raymond Rouleau be superintendent and Lila De Nobili was draughtsman.
Birth Date: 3 February 1923
Isabelle Huppert (actress)
Articles: "Erga kai imeres" (Greece), 28 October 2005, Iss. 42, pg. 11, by: Alexandra Rapti, "Gia america vazei plori i Isabelle Huppert", "New Yorks Time" (USA), 28 July 2002, by: Alan, Riding, "A Face the French Repeatedly Forget", "Paris Match" (France), 7 February 2002, Iss. 2750, pg. 38-47, by: Anne-Marie Corre, "Huit Femmes Sur Un Plateau"
Sister of 'Elisabeth Huppert' (qv)., Saw the French team's victory at the Stade de France in the final of _"XVI FIFA World Cup 1998" (1998)_ (qv) together with her son., She is the youngest of five children, three sisters and a brother: director 'Caroline Huppert' (qv), actress/writer/director 'Elisabeth Huppert' (qv), Jacqueline and Rémi., Mother of 3 children: 'Lolita Chammah' (qv) (born in October 1983), Lorenzo (born in January 1986) and Angelo (born in August 1997), all fathered by 'Ronald Chammah' (qv), who directed her in _Milan noir (1987)_ (qv)., She is, by far, the actress who has had the most films (16) in the Cannes's official competition, and one of the four who have won the Best Interpretation Awards twice - for _Violette Nozière (1978)_ (qv) in 1978 and _La pianiste (2001)_ (qv) in 2001 (the others are 'Vanessa Redgrave' (qv) for _Morgan: A Suitable Case for Treatment (1966)_ (qv) in 1966 and _Isadora (1968)_ in 1968, 'Helen Mirren' (qv) for _Cal (1984)_ (qv) in 1984 and _The Madness of King George (1994)_ (qv) in 1995, and 'Barbara Hershey' (qv) for _Shy People (1987)_ (qv) in 1987 and _A World Apart (1988)_ (qv) in 1988)., Most nominated actress for the Cesar Award. She has been nominated 13 times, and won once, for _La cérémonie (1995)_ (qv). (2007)., Has recorded an album with French singer/"rock star" 'Jean-Louis Murat' (qv) called "Madame Deshoulières". They sing/recite lyrics taken from poems of nearly unknown 16th century writer Antoinette Deshoulières. (Album released in France by "Labels" on 26 March 2001.), Plays the piano., Isabelle Huppert starred with her daughter 'Lolita Chammah' (qv) in three films, _La vie moderne (2000)_ (qv), _Malina (1991)_ (qv) and _Une affaire de femmes (1988)_ (qv)., During the shooting of _8 femmes (2002)_ (qv), Isabelle was always hungry at 5 P.M. and had to eat bread. As this made 'Danielle Darrieux' (qv) also feel hungry, they shared their bread., Member of the jury at the Cannes Film Festival in 1984., Graduated from the CNSAD (National Conservatory of Dramatic Art of Paris), Friend of 'Kim Cattrall' (qv)., Born to Raymond Huppert, an engineer, and his wife Annick, an English teacher., Is interested in photography., Her stage performance as "Hedda Gabler" in Ibsen's play was critically acclaimed and awarded at the Mostra in Venice (2005)., Auditioned for the 'Holly Hunter' (qv) role in _The Piano (1993)_ (qv)., Appointed the president of the jury for the 2009 Cannes Film Festival [January 2, 2009]., In the '70s, Isabelle Huppert shared an apartment with Isabelle Adjani and with the late actress Christine Pascal.
Pictorials: "Playboy" (USA), December 2005, Vol. 52, Iss. 12, pg. 92, by: Stephen Rebello, "Sex in Cinema 2005", "Studio Magazine" (France), Sept 2002, Iss. 181, pg. 62-73, by: Thierry Klifa, "Ma Vie D`Actrice", "Femme" (France), Sept 2001, Iss. 153, pg. 18-21, by: Philippe Lancon, "Isabelle Huppert Sur Le Fil Du Rasoir", "Celebrity Sleuth" (USA), 1999, Vol. 12, Iss. 2, pg. 68-69, by: staff, "Follicles Bergere", "Celebrity Sleuth" (USA), 1994, Vol. 7, Iss. 9, pg. 12-13, by: staff, "Play It Again Ma'ams: Isabelle & Elisabeth Huppert", "Celebrity Sleuth" (USA), 1992, Vol. 5, Iss. 4, pg. 46-49, by: staff, "Bien Soeurs", "Lui" (France), November 1990, Iss. 37, pg. 86, by: Jean-Pierre Bouyxou, "Elles ont commencé toutes nues", "Playboy" (USA), December 1985, Vol. 32, Iss. 12, pg. 291, by: Nancy Ellison, "Grapevine: French Bred", "Playboy" (USA), December 1981, Vol. 28, Iss. 12, pg. 243, by: Jim Harwood, "Sex Stars Of 1981", "Playboy" (USA), November 1981, Vol. 28, Iss. 11, pg. 172-173, by: Arthur Knight, "Sex In Cinema - 1981", "Playboy" (USA), November 1978, Vol. 25, Iss. 11, pg. 188, by: Arthur Knight, "Sex In Cinema 1978", "Ciné-Revue" (Belgium), 16 March 1978, Vol. 58, Iss. 11, pg. 3, "Ce qu'ils auraient pu dire..."
Biographical Movies: _Premio Donostia a Isabelle Huppert (2003) (TV)_ (qv)
Interviews: "The Independent: Extra" (UK), 4 August 2008, Iss. 6803, pg. 12 - 13, by: Kaleem Aftab, "The ice maiden cometh", "The Times Screen" (UK), 16 October 2003, pg. 7, by: Dave Calhoun, "Still Hungry Like The Wolf", "TGV" (France), October 2002, Iss. 48, pg. 36-40, by: Olivier Boucreux, ""Je ne me sens pas obligée d'être aimable, je me sens obligée d'être vraie..."", "Positif" (France), May 2002, Iss. 495, pg. 41-48, by: Franck Garbaz, Yann Tobin, "Le Cinema, c'est le rythme", "Le Monde" (France), 5 January 2001, Iss. 17402, pg. 25, by: Brigitte Salino, "Le sûr chemin d'Isabelle Huppert vers l'amour du théâtre", "The Daily Telegraph Magazine" (UK), 2 March 1996, pg. 44-47, by: Sally Vincent, "C'est luvvie"
Books: Marc Ruscart. _Isabelle vue par...._ Quimper: Editions Calligrammes, 1989. ISBN 2869651279, Elfriede Jelinek. _Isabelle Huppert: A Woman of Many Faces._ New York: Harry N. Abrams, Inc., 2005. ISBN 0810959909
Isabelle Huppert be born enclosed by 1953, in Paris, France, but spent her adolescence in Ville d'Avray. Encouraged using her mother (who was a coach of English), she follow the Conservatory of Versailles and win an acting compensation in advocate of her carry out in 'Alfred de Musset' (qv)'s "Un caprice". She later studied at the Conservatoire d'Art Dramatique and followed an celebrated thespian wholesale, which include 'Ivan Turgenev' (qv)'s "A Month in the Country", 'Euripides' (qv)' "Medea" (title role) etc. She made her big blind debut in 1971 and in a bit become one of the high point actress of her colleagues, giving daunting performance in far-reaching films, close to 'Claude Goretta' (qv)'s _La dentellière (1977)_ (qv), in role of a simple-minded girl who falls in be dedicated about near - and be betray by - a novice, 'Jean-Luc Godard' (qv)'s _Sauve qui peut (la vie) (1980)_ (qv), as a prostitute, and 'Maurice Pialat' (qv)'s _Loulou (1980)_ (qv), as an upper-class female who is actually attracted by a babyish tramp. She made her US debut playing a brothel madam in 'Michael Cimino (I)' (qv)'s shattering _Heaven's Gate (1980)_ (qv) and grab an absolutely beneficial sustain with 'Claude Chabrol' (qv), who body her in several cinema, in cooperation with _Violette Nozière (1978)_ (qv), where on earth she play a girl who murder her parents, and _Une affaire de femmes (1988)_ (qv), in which she grant an delightful conduct as a shameless abortionist, the second woman to be execute in France. More recent angelic films detail 'Patricia Mazuy' (qv)'s _Saint-Cyr (2000)_ (qv) and 'Michael Haneke' (qv)'s oversensitive _La pianiste (2001)_ (qv), as a sexually repressed baby grand teacher.
Height: 160 cm
Quotes: Acting is a way of living out one's insanity., A script, even it differs from filmmaker to filmmaker, never tells the whole story; there are always elements that need to be invented. As soon as one decides to take a role after having read the script, the various elements begin to fall into place. A character begins to take shape. And regardless of whether the information given is ample or not, it appears to one, strangely, as an apparition. From that moment, one knows whether or not this figure will be able to pass through one; if there is a meeting point., Body language in the cinema is thus very particular. The screen can transmit an image very different of the body. In life, we see each other by facing each other. In the cinema, one is astonished to discover oneself from another angle. But at the same time there is no obligation to look. Serge Daney used to say that the work of actors is the make movies, and the work of the spectator is to look at them., I think being actor is more difficult for men. The very best actors are not afraid of playing with their own femininity and leaving aside power struggles with the director. Because there's no getting around it: on a film set, it's the director who has the power. This fact is often more difficult to accept for an actor than for an actress., I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way. I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything. To say, "I want to be an actress" is to say, "I can't do anything else, so let's try to be an actress., I don't try to sympathise with my characters, I just try to empathise with them. To try to understand. If I sympathised with the characters I would make idealised, romantic characters out of them, which I don't do. I don't idealise them, I just do normal characters, not very sympathetic, but just the way they are. I think I do this in films that are made in the shape of a question, not in the shape of an answer. They just try to make a very open statement and it is down to anyone's subjectivity to find his own answer to that., A great film is always a metaphor for the direction. A great director always says what he thinks of the cinema through his work, through a fictional story. It is always a reflection of what it is to be a director, what is a movie, what is an audience. It's always the same case. In the case of La Pianiste (The Piano Teacher), Michael Haneke talks about control and loss of control, and he was filming a woman who I felt was more identified with the situation of the director. This is a woman who controls her desire, exactly as a director controls his own desire and the audience's desire. In the film, the woman is not the object of desire, she is the one who wants to control her desire. That is why as a film - I'm not even talking about the story - as a film it is interesting because he has changed the status of an actress in a film. That is why the sexual scenes were easier for me to do because I am not set up in the usual situation of being an object of a man's desire, I am the one who controls the desire of the man. So I felt completely protected by this change of focus., I don't believe one ever plays characters, one plays states of mind. A character is completely meaningless to me. One goes through states of mind and tries to link them together., I don't think you work with Godard, you experience... Doing a movie with Godard - I have done two, which means I have spent almost two years with him - it's more like doing an incomparable experience. Just watching Godard - it's a gift for an actress to make films with him. When I say you don't work with Godard I mean that you don't go through any classical path where you build a character. With Godard it's degree zero - you don't do anything, it's a very strange feeling. And yet it is acting - it's very highly stylised and he's very directive. The reason is always very precise, there is never any improvisation. I think, finally, he manages to get everybody to talk like him. It's true! He always wants to close the sense at the end of a line. He closes the sense. It's very strange. You can't say, "I'm doing a Godard and I'm playing a prostitute," because Godard is so far away from any assembly of images you may have about that character. That's why he's a great director - more than a great director, a great thinker of cinema.
Veronica Lazar (actress)
Odile Michel (actress)
Dominique Sanda (actress)
Maurice Bernart (producer)
Claudio Biondi (producer)
Florence Delay (writer)
Peter Handke (writer)
Benoît Jacquot (writer)
Henry James (writer)
Rainer Maria Rilke (writer)
Wim Wenders (writer)
Ennio Guarnieri (cinematographer)
Laurent Petitgand (composer)
Philippe Sarde (composer)
Christian Gasc (costume designer)
Benoît Jacquot (director)
Dominique Auvray (editor)
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